en Cuevana 3. Blood Inside Outside, demonstrates the pioneering feminist artist’s exploration of the multiple layers of meaning ascribed to blood—from death to rebirth. This presentation of the film by the late artist (Cuban, 1948-1985) is accompanied by rare lifetime photographs from the artist’s Body Tracks series as well as her elegant drawings of abstracted outlines of palaeolithic goddesses, repeatedly inscribed on a variety of surfaces, from modern paper to an actual leaf to an ancient style of bark cloth.
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